Hugo stats: author gender, fiction categories

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There's been a fair bit of discussion about the number of female authors nominated for Hugo awards in the fiction categories. I wrote a journal entry in 2007 that discussed the issue and provided some stats.

I want to keep the stats up-to-date without going back and changing that journal entry, so I've moved the stats to this separate page.

The following table includes data only from the four prose fiction categories: Best Novel, Best Novella, Best Novelette, and Best Short Story.

Year By
women
Total % by
women
1959 2.5 23 11%
1960 0 10 0%
1961 1 9 11%
1962 0 10 0%
1963 1 10 10%
1964 1 9 11%
1965 0 7 0%
1966 0 10** 0%
1967 0 23 0%
1968 2 17 12%
1969 2 18 11%
1970 3 15 20%
1971 0 16 0%
1972 3 17 18%
1973 4 17 24%
1974 5 14 36%
1975 3 22 14%
1976 1.5 21 7%
1977 3 17 18%
1978 5.5 20 28%
1979 7 20 35%
1980 3 21 14%
1981 2.5 21 12%
1982 4 20 20%
1983 6 22 27%
1984 4 20 20%
1985 3.5 23 15%
1986 3 20 15%
1987 2 20 10%
1988 6 21 29%
1989 4* 21* 19%
1990 9 22 41%
1991 5 20 25%
1992 12 23 52%
1993 10 20 50%
1994 6 21 29%
1995 6 22 27%
1996 6.5 21 31%
1997 7 21 33%
1998 1 21 5%
1999 6 23 26%
2000 5 21 24%
2001 5 21 24%
2002 4 21 19%
2003 3 21 14%
2004 4 21 19%
2005 3 20 15%
2006 3 20 15%
2007 1 20 5%
2008 4 20 20%
2009 4 20 20%
2010 9 23 39%
2011 10 19 53%
2012 11 21 52%
2013 11 18 61%
Total: 228 1034 22%

(*In 1989, one of the originally announced nominations was later deleted. I can't find info on the gender of one of the authors, but since the nomination became unofficial anyway, I just left it out of my count.)

(**In 1966, there was an “All-Time Series” category, but I'm not including that in my numbers.)

Here's a graph of that percentage column:

It might be fun to correlate this with numbers about percentages of works by women published in a given year, and reviewed in a given year, and with nominator turnout each year, and so on. But that would be a big database project that I don't have time to put together.

I used to have a comment here talking about trends I saw in the data; for example, the average from 1991 through 2001 is significantly higher than the average from 2002 through 2009. But on looking at the full range of data, I now think that the trends depend a great deal on what ranges of years you look at; I'm not convinced that there are any clear patterns in the overall data set.

It's also worth noting that in a field of only about 20 works each year (and a lot less in some years), every work by a woman is about a 5% difference (or sometimes more). So the difference between, for example, 19% (2002) and 24% (2001) is a difference of only one work.

A couple of historical notes:

  • The last year when there were no fiction works by women on the ballot at all was 1971.
  • The first pieces of fiction by women to appear on a Hugo ballot were Zenna Henderson's “Captivity,” Pauline Ashwell's “Unwillingly to School,” and Katherine MacLean & Charles V. De Vet's “Second Game,” all in 1959, the first year that there was a separate nominating ballot. (Before that, there were no nominees as such, only winners, according to Wikipedia.)
  • The first fiction work by a woman to win a Hugo was Le Guin's The Left Hand of Darkness in 1970.

At any rate, I'm hoping that 2010 through 2013 were the start of a trend of more works by women being nominated.

Various approaches might help with that. For example:

  • Help get more girls interested in reading and writing science fiction and fantasy, and/or in math and science.
  • If you're a female writer, write and submit more.
  • If you're an editor, regardless of your own gender, stretch your editorial boundaries and see if that results in your publishing more works by women.
  • Read more works by women, if you don't already. (Thanks to Liz H for pointing out that I hadn't included this on my original list.)
  • Recommend more works by women, in places like the hugo_recommend LJ community.
  • Become a WorldCon member and nominate more works by women (but only the ones you consider awardworthy, of course).
  • Join Broad Universe.

Note: I'm not advocating quotas, lowering standards, or anything of the sort; the approaches I'm suggesting are part of a long ongoing discussion of ways to get more female authors published and recognized in the field. See, for example, my 2006 entry on gender bias and sf.

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