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Book Report: After the Ball

You might think, on first glance, that a Noel Coward musical based on Oscar Wilde’s Lady Windermere’s Fan, would be a good idea. Further thought, however, would probably lead to the realization that what Oscar Wilde does not need is to be a bit more Noel Coward, and vice versa. Or would lead you to invest a bunch of money into a production starring a woman with a singing voice that Mr. Coward described as sounding like someone fucking a cat.

Ah, well. I haven't heard it, but I have read After the Ball (a Concert Version), adapted, edited and rewritten by Barry Day, and frankly, unless the music is utterly utt, I don't see any reason for it at all. I mean.

Tolerabimus quod tolerare debemus,
-Vardibidian.