OK, Gentle Readers, here is The Horn Book, as actually burnt to a disc by Your Humble Blogger:\n\n
| Song Title<\/b><\/td> | Artist<\/b><\/td> | Album<\/b><\/td> | Time<\/b><\/td><\/tr>\n| Ring Of Fire<\/td> | Johnny Cash<\/td> | Classic Cash<\/td> | 2:45<\/td><\/tr>\n | I Can't Turn You Loose<\/td> | Otis Redding<\/td> | Otis! The Definitive Otis Redding (Disc 2)<\/td> | 2:45<\/td><\/tr>\n | I Prefer You<\/td> | Etta James<\/td> | The Chess Box 2<\/td> | 3:05<\/td><\/tr>\n | Papa's Got A Brand New Bag, Pt. 1<\/td> | James Brown<\/td> | 20 All-Time Greatest Hits<\/td> | 2:06<\/td><\/tr>\n | Soul Man<\/td> | Sam & Dave<\/td> | Atlantic Records 50 Years: The Gold Anniversary Collection (Disc 1)<\/td> | 2:41<\/td><\/tr>\n | Soul Cadillac<\/td> | Cherry Poppin' Daddies<\/td> | Soul Caddy<\/td> | 3:29<\/td><\/tr>\n | 25 Or 6 To 4<\/td> | Chicago<\/td> | Greatest Hits Vol 1<\/td> | 4:53<\/td><\/tr>\n | Got To Get You Into My Life<\/td> | The Beatles<\/td> | Revolver<\/td> | 2:30<\/td><\/tr>\n | You Can Call Me Al<\/td> | Paul Simon<\/td> | Graceland<\/td> | 4:40<\/td><\/tr>\n | Jackie Wilson Said<\/td> | Van Morrison<\/td> | Best Of Van Morrison<\/td> | 2:57<\/td><\/tr>\n | Would I Lie To You<\/td> | Eurythmics<\/td> | Be Yourself Tonight<\/td> | 4:28<\/td><\/tr>\n | Mr. Jones<\/td> | Talking Heads<\/td> | Naked<\/td> | 4:20<\/td><\/tr>\n | House of Fun<\/td> | Madness<\/td> | Madness<\/td> | 3:00<\/td><\/tr>\n | Eddie's Concubine<\/td> | Eddie From Ohio<\/td> | Three Rooms (Disc 2)<\/td> | 4:56<\/td><\/tr>\n | Nelson Mandela<\/td> | The Special A.K.A.<\/td> | Too Much Two Tone - Ska Classics<\/td> | 4:14<\/td><\/tr>\n | Revolution Rock<\/td> | The Clash<\/td> | London Calling<\/td> | 5:33<\/td><\/tr>\n | Up for the Down Stroke<\/td> | Parliament<\/td> | Greatest Hits (The Bomb)<\/td> | 3:23<\/td><\/tr>\n | Hell Of A Hat<\/td> | The Mighty Mighty Bosstones<\/td> | Question The Answers<\/td> | 3:54<\/td><\/tr>\n | Dead Man's Party<\/td> | Oingo Boingo<\/td> | Dead Man's Party<\/td> | 6:21<\/td><\/tr>\n | It's Margaret Cho<\/td> | Skankin' Pickle<\/td> | Sing Along With Skankin' Pickle<\/td> | 1:25<\/td><\/tr>\n | Hell<\/td> | Squirrel Nut Zippers<\/td> | Hot<\/td> | 3:13<\/td><\/tr><\/table>\n\n | A few comments: Of course, this list reflects more than anything my own taste, and even then there were a lot of songs I like that I finally left out (and I still overshot the 60 minutes I was aiming for). So songs that would fit into the category nicely and would be all informative’n’stuff about the history of the horn line in rock were left out if I thought they would make me enjoy the disc less. The primary ones in this category were NWA’s “Express Yourself”, built around a sampled horn line, and interesting if not, to my ears, enjoyable and Gladys Knight and the Pips “Midnight Train to Georgia”, which was illustrative of how horns mixed with strings in early disco. Honestly, would it have been worth it to put Dexys Midnight Runners on the disc? I think not. There were also a lot of songs that I like a lot that didn’t quite make it onto the list: The English Beat’s “Stand Down Margaret”, Stevie Wonder’s “Sir Duke”, either version of “Tears of a Clown”, the Pogues “Blue Heaven”, Elvis Costello’s “Only Flame in Town” or “Chewing Gum” and Dire Straits “Two Young Lovers” among others I can’t recall at the moment. Oh, and I couldn’t find the Elvis Costello live with the TKO horns cover of “Stand Down Margaret”, which would have really been lovely. I also left off Laurie Anderson’s “Baby Doll”, which isn’t really rock music, at least, not within the meaning of the act.\n A few more comments: Clearly, the list did wind up being overloaded with 60s R&B\/70s Soul and their immediate influences, and 80s Ska and their immediate influences. I pretty much left off the New Jump bands of the 90s; their only representative is the Cherry Popping Daddies, with “Soul Cadillac”, which is more clearly rock than jazz. Taking off the Brian Setzer Orchestra’s “Rock this Town” was tough, though. For Skankin’ Pickle I chose their theme to Margaret Cho’s sitcom, although I am likely the only person in the whole wide world with fond memories of that show. If I were making the disc for someone else, I might replace that with their cover of “Turning Japanese”, which really shows how much better a song can be with a horn line. Similarly, if I were making this disc for somebody born after 1980, I would hesitate about “Nelson Mandela”, which has for me a powerful and visceral memorial function that, you know, you had to be there.\n Yet more comments: For some reason, I totally forgot about Peter Gabriel’s “Big Time”, which has very nice horn line, but hey, I’m not going back. At least, not unless there’s some other reason to. I did choose to leave off Jim’s Big Ego doing the version of “Stress” with the talking trombone, but I had meant to listen to it again. It turns out that I don’t own Elvis Costello’s Punch the Clock<\/I> album, and it isn’t on either of my download stores, so I couldn’t put on “TKO (Boxing Day)” or “Let Them All Talk”, and I can’t remember them well enough to know if it’s a travesty to leave them off.\n OK, last comments, and then I’m posting this: I did not do the work to tell you which tracks have Wayne Jackson, and which trombone player studied with which other trombone player. That would be interesting, but sadly, I’m too lazy to do the work on it. Sorry about that.\n chazak, chazak, v’nitchazek<\/I>, OK, Gentle Readers, here is The Horn Book, as actually burnt to a disc by Your Humble Blogger: Song TitleArtistAlbumTime Ring Of FireJohnny CashClassic Cash2:45 I Can’t Turn You LooseOtis ReddingOtis! The Definitive Otis Redding (Disc 2)2:45 I Prefer YouEtta…<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[200],"tags":[],"class_list":["post-10118","post","type-post","status-publish","format-standard","hentry","category-music-music-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/10118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/comments?post=10118"}],"version-history":[{"count":1,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/10118\/revisions"}],"predecessor-version":[{"id":17660,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/10118\/revisions\/17660"}],"wp:attachment":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/media?parent=10118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/categories?post=10118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/tags?post=10118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |