{"id":14044,"date":"2012-04-05T17:27:37","date_gmt":"2012-04-05T21:27:37","guid":{"rendered":"http:\/\/www.kith.org\/journals\/vardibidian\/2012\/04\/05\/14044.html"},"modified":"2018-03-13T19:03:46","modified_gmt":"2018-03-14T00:03:46","slug":"giving-a-demmed-note","status":"publish","type":"post","link":"https:\/\/www.kith.org\/vardibidian\/2012\/04\/05\/giving-a-demmed-note\/","title":{"rendered":"Giving a demmed note"},"content":{"rendered":"\n<p>I don&#8217;t believe in giving notes to other actors. I feel quite strongly about this, enough to get snippy if another actor tries to give interpretation notes to me. In fact, I feel strongly enough about this that I rarely talk about what I&#8217;m doing with the role with the other actors in the play, except in discussion with the director. Yes, it&#8217;s a collaborative thing, and I do know that my interpretation puts limits on other people&#8217;s interpretation of their own parts, but I see that as one of the Director&#8217;s jobs&#8212;if I feel that I am not getting what I want from another actor, I talk to the Director about it, and then either the Director disagrees with me and sets me straight or gives the note to the other actor.\n<p>Well, and in fact I do on occasion give the clich\u00e9d <i>I love what you are doing with that scene<\/i> sort of comment, but that doesn&#8217;t count as giving notes. No, what I mean by giving notes is <I>why don&#8217;t you try playing that with more anger<\/I> or <I>surely the emphasis is on the end of the sentence<\/i> sort of thing. Which I keep to myself. Because I do think it. I don&#8217;t say it. I am tempted to say it, but I do not. Perhaps it&#8217;s because I am an overly intellectual actor that I inevitably have a line or two for any scene to which I have paid serious attention that I feel I would do differently. Mostly, for me, it&#8217;s words: some word that isn&#8217;t getting punched with enough emphasis, or isn&#8217;t being used to echo a previous usage, or isn&#8217;t being differentiated enough from the circumjacent dialogue.\n<p>What is tempting me at the moment is that the character of Tuppy (which is the part I wanted to play, which makes it worse) is, unless I have missed something, the only character in the piece that swears. He says <I>demmed<\/i> this and <I>demmed<\/i> that, probably says the D-word a dozen times in as many lines. And, as I say, nobody else swears with a big, big D at all&#8212;not never. That&#8217;s the sort of thing that doesn&#8217;t (it seems to me) happen by accident: Oscar Wilde meant that Tuppy was the kind of Tuppy who comes out with a big, big D even when in groups of men who use more discreet language to say far more indiscreet things, which again, is the sort of Tuppy that Tuppy must be.\n<p>All of which, to me, says that Tuppy should emphasize those ds, every <I>demmed<\/i> time. Maybe even wind up to them a bit with a pause to set his Tuppy mouth for it. A tiny pause, of course, perhaps an infinitesimal pause. Or maybe no pause at all, maybe a little bob of the head for emphasis, or the chin jutting out a trife. Something. A hand gesture, although that would be a bit much, unless the actor (and Director, yes) can think of something that would work. Something. A small thing, but a consistent thing. The audience should notice.\n<p>I expect I am doing something that is driving the Tuppy-actor crazy as well, of course. And he&#8217;s a fine actor, doing a fine job in the role&#8212;as I hope am I in mine. I won&#8217;t tell him mine, and I hope he won&#8217;t tell me his. I&#8217;ll try to do what the Director wants, and within that what makes sense to me, and someday we will all look back on this and laugh.\n<p><I>Tolerabimus quod tolerare debemus<\/I>,<br>-Vardibidian.\n\n","protected":false},"excerpt":{"rendered":"<p>In Which Your Humble Blogger gives the note to Gentle Readers, which is certainly inappropriate, but I think it unlikely that the actor in question is a Gentle Reader at this time. If I am wrong, well, then, oops.<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[209],"tags":[],"class_list":["post-14044","post","type-post","status-publish","format-standard","hentry","category-theeyater"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/14044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/comments?post=14044"}],"version-history":[{"count":1,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/14044\/revisions"}],"predecessor-version":[{"id":19535,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/14044\/revisions\/19535"}],"wp:attachment":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/media?parent=14044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/categories?post=14044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/tags?post=14044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}