{"id":2841,"date":"2005-05-12T21:19:03","date_gmt":"2005-05-13T01:19:03","guid":{"rendered":"http:\/\/www.kith.org\/journals\/vardibidian\/2005\/05\/12\/2841.html"},"modified":"2018-03-12T16:50:02","modified_gmt":"2018-03-12T21:50:02","slug":"top-five-instrumentals","status":"publish","type":"post","link":"https:\/\/www.kith.org\/vardibidian\/2005\/05\/12\/top-five-instrumentals\/","title":{"rendered":"Top Five Instrumentals"},"content":{"rendered":"\n<p>Top Five Instrumentals\n<p>Before I begin: Would you believe that I had a lot of trouble deciding what counted as an instrumental and what didn&#8217;t? For instance, is &#8220;Pennsylvania 6-5000&#8221; an instrumental? What about all the other songs that have as their only lyric the title, repeated rhythmically once a verse? &#8220;Tequila&#8221;? What about &#8220;One Step Beyond&#8221;? What about &#8220;Manteca&#8221;, if the version I like best has Dizzy shouting &#8220;Manteca! Maaanteca! Mantecahhhhh!&#8221; like a madman? Or the similar &#8220;Salt Peanuts&#8221;, which has (in some versions) the added lyric &#8220;Salt Peanuts\/Salt Peanuts\/That&#8217;s the name of this song\/Salt Pea-nuts&#8221;.\n<p>Also, what about songs where there is a vocalist, but no words? I&#8217;m thinking here primarily of a Loren Sklamberg\/Itzhak Perlman recording of &#8220;Nign&#8221;, a, um, well, <I>nign<\/I>. Mr. Sklamberg sings &#8216;di-di-di-de-di&#8217;, using his voice as an instrument, but I&#8217;m pretty sure that&#8217;s not an instrumental. The same with jazz versions, both scat-singing and the sort of wordless singing Kay Davis does in Duke Ellington&#8217;s &#8220;Creole Love Call&#8221; and &#8220;Transblucency&#8221;. On the other hand, I don&#8217;t count the mic occasionally picking up Lionel Hampton&#8217;s &#8216;eeep! eeep!&#8217;, which I don&#8217;t think of as vocalization as much as a sort of involuntary emission. That bass player who scat-sings along with his bowing is left as an exercise for the reader, as it doesn&#8217;t come into anybody&#8217;s Top Five.\n<ul><li>Concerto for Cootie: Ellington, Strayhorn, Williams, etc. Possibly my favorite side ever, in any style. Later, the main melody became &#8220;Do Nothin&#8217; &#8217;Til You Hear From Me&#8221;, a fine song, but without the incredible wa-wa-wa-<b>waaaa<\/b> bridge.<\/li>\n<li>Sing, Sing, Sing: Prima, Goodman, Krupa, etc. Until I looked this up for this note, I didn&#8217;t realize that the Louis Prima version with words was first. I assumed the instrumental version was first, and Louis the Lip added words later, but no, it&#8217;s the other way around. Still, it&#8217;s better as an instrumental, particularly (of course) in the Carnegie Hall version. Even though it&#8217;s too long.<\/li>\n<li>Milonga del Angel (from Zero Hour): Piazzola. Honestly, it&#8217;s the album as a whole that I&#8217;d put in my top 5, but I think that&#8217;s not quite allowed. This is amazing stuff.<\/li>\n<li>Honga: Perlman, London, Sklamberg, etc: This is on the <I>In the Fiddler&#8217;s House<\/I> CD; I suspect that it was more or less at this moment in the documentary that I decided I really really liked klezmer. Mr. Perlman plays a double-time version as an encore to the <I>Fiddler&#8217;s House<\/I> concert, which is great, but a little too show-offy for a Top Five.<\/li>\n<li>East St. Louis Toodle-Oo: Ellington, Miley, Nanton, etc. I&#8217;m told that the Duke pronounced it &#8216;toad&#8217;ll low&#8217;. The recording on my Top Five list is the 1927ish side with Bubber Miley, Tricky Sam Nanton and Harry Carney, although I&#8217;m not sure that the later recording wouldn&#8217;t make a Top Ten.<\/li><\/ul>\n<p>I don&#8217;t know if this is easier or harder for people whose collections have fewer instrumentals, that is, lean more towards rock and modern pop. I also didn&#8217;t consider tracks from movie scores, although there aren&#8217;t any I can think of that I&#8217;d put in a Top Five; the Jaws theme is brilliant, of course, but I wouldn&#8217;t want to listen to it very often. Also, I don&#8217;t think the thing asks you to consider long-form works in their entirety, which would seem silly to put Beethoven&#8217;s Ninth Symphony in with three-minute (or twelve-minute) songs. A just-left-off list would include &#8220;Milestones&#8221;, &#8220;A Night in Tunisia&#8221;, &#8220;Mood Indigo&#8221;, &#8220;Harlem Air Shaft&#8221;, and the Peter Gunn theme. Also, I&#8217;ll point out that although I adore &#8220;Caravan&#8221;, none of the version of it I have really satisfy me. Also also, I&#8217;ll point out that Django Reinhardt and the Quintet of the Hot Club of France (including Stephane Grappeli) don&#8217;t appear on the list because there isn&#8217;t a particular side that rises to that level, but on career value, they are right up in the Inner Circle.\n<p><I>chazak, chazak, v&#8217;nitchazek<\/I>,<br>-Vardibidian.\n<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Top Five Instrumentals Before I begin: Would you believe that I had a lot of trouble deciding what counted as an instrumental and what didn\u2019t? For instance, is \u201cPennsylvania 6-5000\u201d an instrumental? What about all the other songs that have&#8230;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[201],"tags":[],"class_list":["post-2841","post","type-post","status-publish","format-standard","hentry","category-navel-gazing"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/2841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/comments?post=2841"}],"version-history":[{"count":1,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/2841\/revisions"}],"predecessor-version":[{"id":17403,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/posts\/2841\/revisions\/17403"}],"wp:attachment":[{"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/media?parent=2841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/categories?post=2841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kith.org\/vardibidian\/wp-json\/wp\/v2\/tags?post=2841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}