Cheryl on TorCon

The latest issue of Cheryl Morgan's Hugo-nominated Emerald City is out, giving a long and detailed con report for TorCon. Cheryl has biases (as does everyone), but she's also got a lot of experience in fandom and convention-running, and she provides a much more detailed behind-the-scenes look at what went wrong (and what went right) in putting TorCon together than I've seen elsewhere. I know that at least one of you was involved in working for the con, so be prepared: Cheryl's comments are not kind to the ConCom in general. But she does praise some of the people who did the low-level work of making things happen.

(It seems to me that trashing WorldCon is a traditional fannish hobby; I remember people saying at MilPhil that that con was the worst-run convention ever, and so I didn't pay much attention to people saying the same thing about TorCon. But it appears from Cheryl's report that TorCon did have more than the usual number of organizational problems.)

She also discusses attending the academic sf conference that preceded TorCon and talking with Margaret Atwood, who claims, quoting Cheryl, that "the whole dispute [about whether Oryx and Crake is sf] has been a misunderstanding," and that The Handmaid's Tale isn't feminist sf, because (as Cheryl puts it) "it depicts a world in which men still rule." Cheryl suggests that perhaps Atwood simply suffers from the common fannish obsession with extremely precise and limited definitions of terms; as someone who's rather too definition-bound myself, that sounds plausible to me.

4 Responses to “Cheryl on TorCon”

  1. Karen

    I’m not much interested in the fuss over Atwood’s desire to dissociate herself from the genre, but there’s an amusing mention today in Neil Gaiman’s blog of his recent experience with Atwood, in which they both presented their books to a group of booksellers:

    She told the booksellers that her book wasn’t speculative fiction because everything in the book was based on a scientific speculation in a brown envelope in her research box which left me scratching my head as to where she thinks science fiction (or even speculative fiction) writers get their ideas from.

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  2. Leah Bobet

    That was an exceptionally good article. Being that I’m someone who knows many of the people working on the con and kind of flirted with doing it myself (I was one of those people who saw the trains about to collide two or so years ago, and decided to step clear), I had a bit of a chance to follow the soap opera that was the Torcon ConCom. And she’s nailed a lot of it on the head.

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  3. naomi_traveller

    Yes, alas for Torcon, pretty much accurate.

    I do think she was a bit hard on Michelle Boyce. That’s one version of the story. I worked closely with Michelle to get the progress reports out — she was not the vindictive demon that the concom would have made her out to be. And like Terry, she’s had a pretty rough year.

    But, yup, pretty much every thing else in there is spot on.

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  4. Arthur D. Hlavaty

    Some worldcons are worse than others. Nolacon II in the 80s was abysmally run (I flew down there on Thursday with two official prgrams saying I’d be on a panel at 5–one that day, one the next.) It actually didn’t turn out all that badly. Torcon apparently wasn’t as bad. Once again, a lot of last-minute bailing out was required.

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